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Guitars are one of the most common instruments that music lovers prefer to play. You can recreate sounds from your childhood or from the past after learning a few simple cords to strum. However, learning to play such an intricate instrument such as the guitar is the same with everything else; it takes a large amount of practice and determination. You have to be willing to practice on a daily basis in order to excel with the instrument. If you do not have the time to practice, then learning the basics of beginner guitar is probably not for you. But, if you take the time to go forth with the instrument, you will be amazed at how well you can be playing in such a short amount of time.

Your first step is to decide how you are going to learn to play the guitar. If you have had any previous musical experience, such as knowing how to read music, then the process with go much more smoothly. You can teach yourself with a beginner’s guitar book; however, if you have a person to help you it will be much easier. If you are not able to read music, many of the beginner books will show you how to do that as well.

While purchasing a guitar online might allow you to find a better deal, it is often a better choice to ask a local music store for suggestions, or your instructor. The strings on some of the guitars are very hard to hold down for beginners, and you cannot learn to play on these types of strings until you have built up enough calluses on your fingers.

Many beginner guitars have strings that are slightly more loose to help with the learning process. It might not be a wise choice to purchase a very expensive guitar your first time around. You need to make sure that the investment will be worth it, and you will not know this until you have mastered the art of the guitar. However, keep in mind that extremely cheap guitars are harder to keep tuned and often harder to play.

One thing that can help you excel is to listen to guitar solos in songs. Listening is usually the best type of learning. Many instructors also recommend this and they will usually have you choose a song that you want to learn and request that you listen to it over and over again. Choose wisely, because a very hard song is not always the best option. You have to go slowly and learn the basics first.

“Wonderwall” by Oasis is a great song that is simple for all beginners to learn. The song made the top 10 list in the U.S. and the hot top 100 in 1995 when it was first released. You can search online for the guitar tabs to the song on search engines such as Google. Neil Young’s song “Heart of Gold” is another easy song to learn. It made the Rolling Stone top 500 list, and it has a deep meaning. Overall, the song is easy and very popular for beginner guitarists. There are many sites online that allow you to download these songs for free so that you can listen to them.

The desire to learn the guitar is often not enough in order to learn. You also have to have determination and the ability to have patience when you are not able to get it right the first time. Try not to get frustrated, and know that your fingers will eventually toughen up enough for you to be able to play on any guitar. The first steps are the hardest, but after you learn, it is like riding a bike; you will never be able to forget.

Metal guitar strings are subjected to a lot of conditions that decrease their life. The life of guitar strings can be increased with care and good maintenance. This article will help you extend the life of your guitar strings.

Guitar strings can lose their tonal quality prematurely due to factors that include:

*Stretching

*Wear

*Corrosion

Stretching: Guitar strings naturally stretch during tuning and while playing the guitar. Over time strings slowly lose their elasticity and their tone quality. Guitar strings that are stretched no longer produce rich tone or harmonic overtones. As a result, the guitar becomes difficult to tune and the sound of the strings become dull and lifeless.

Wear: Guitar strings wear during the process of playing. This process comes from moving the metal strings against the metal frets on the fretboard. Of the two most common types of strings, wound and plain steel, wound strings are more susceptible to fret wear. Wound guitar strings tend to “flat-spot” more rapidly than plain steel strings. If left unchecked, the flat spots can create breaks in the windings of the strings. Flat spots and broken windings will decrease tonal quality and can also cause the strings to “buzz”.

Corrosion: Metal guitar strings are subject to tarnish, rust and corrosion. Metal guitar strings are also subject to the body chemistry of the individual guitar player. Individuals with higher acid levels in their pH will get less life from their guitar strings due to an accelerated rate of string corrosion.

There are several things guitar players can do to get extended life from their guitar strings. Taking the time to follow these simple steps will ensure that you get the most from your strings and reduce the cost associated with premature string failure.

*Do not over-stretch your strings during the tuning process.

*Be careful not to crimp the strings at the tuner peg when replacing the guitar strings.

*Periodically, check the condition of the guitar bridge and bridge saddle to avoid breaking a string during the replacement process.

*Monitor the condition of your guitar frets and replace any frets that develop excessive wear or sharp edges.

*Always clean your guitar strings when you finish playing the guitar.

It is impossible to say how long a new set of guitar strings should last. The life of guitar strings depend on many factors and variables. It is possible to extend the life of guitar strings through proper care and maintenance. Be sure to take the time to care for your guitar strings and you will get the longest life from each set.

When the time comes to replace the strings, choose quality replacements and change the strings carefully.

1. Search for a Trustworthy pianist to teach you

Watch out and Don’t fall into this trap by other people claiming that you won’t need a piano teacher. I highly recommend grabbing your local yellow papers or phone and find a qualified piano teacher. Why? Most importantly, you will learn way faster and play much better than if you have to do this all by yourself.

2. Practice More Often

Never practice when you are fatigued you cannot focus and concentrate well enough to make good progress.

Practice Regularly Piano playing requires good coordination and music reading skills. To get better results with your piano playing practice daily for at least 35-40 minutes a day.

3. Set Realistic Goals

When studying your song, set realistic goals. Find a song that is right, and fits your musical knowledge and skills. For example if you are studying a Czerny etude make a goal to learn a new page every day or even a few measures depending on your level and skills.

4. Improve Your Sight Reading

If you have no trouble reading music notes you learn a new song much faster. Keep working on your sight reading skills by making it a routine to start your daily practice with playing a few bars of a totally new piano piece.

5. Read Music literature by the Composer

When you are playing a Mozart sonate and you don’t know anything about his life its more difficult to play with a good “character”. Learn all about your favorite composer and try to find a good approach to play his/her songs.

I have made the electric guitar far beyond the time when someone could teach himself (or herself) to become a world-class player. If you have aspirations of becoming a guitar player and musician competent authorities, and you need a competent guitar teacher. Even if your goals are more modest, you can reach these goals more quickly, easily and efficiently with the guidance of the teacher the right guitar. Much of the information necessary to identify the guitar (and music in general) is available from several different sources. There are hundreds of books and educational videos, CD-ROM, and of course the Internet. Although much of the information accessible to everyone, and there are a lot of incorrect or incomplete and otherwise bad (and this is especially true for a lot of information on the Internet!). You will need to help excellent teacher to teach how to understand and apply the correct information. You can save a lot of frustration and disappointment unnecessary by studying with a good teacher. Remember, textbooks, CDs and instructional videos and the Internet can not answer specific questions. They can not provide advice on how to play guitar and write songs, ear training, etc. They can not listen to your playing, and refers to errors or defects that may exist. Some books are very good, and I saw some very good CDs there, too, but you still need help from the excellent teacher to guide you through everything, and help you develop your abilities and musical correctly and effectively.

Guitar great teachers manage and schedule new materials and effectively explain their importance and meaning. Should encourage the teacher when you are doing well, and correct what has gone wrong. And good teachers, and show you how to organize your practice materials and show you how to manage your time effectively practice (and this is crucial for progress!). It helps you to build a level of confidence (even if you do not know that this happens). A teacher guitar great help you become confident in your skills and technique to perform the difficult techniques of the guitar comfortably. These guitar teachers emphasize creativity (song writing and improvisation), and to achieve. Great teachers want to make sure you understand exactly what you are learning, and above all, they learn how to apply it by giving detailed explanations and encouraging you to ask questions when something is not clear. Good guitar teacher cares genuinely about your musical growth and development. And a teacher with experience and competence to take you as far as possible to learn on their own.

Unfortunately, no guitar teachers are licensed and there is no organization, which oversees the organization. Anyone can say that a good teacher and there are a lot of people do this. Number of qualified teachers, however, is limited. This leads us to this crucial question: How can a student find, choose, and then accurately assess guitar teacher?

Here are some questions you should ask any teachers who think the guitar in the study. I’ve also included my comments on each question:

Can you tell me about their experience in teaching, such as: How long have you been teaching guitar and was taught some students during that period? Would be preferred at least 3-5 years of experience in teaching. Certainly not less than 1 year of experience. It is good if the teacher has taught a moderate to large numbers of students. It takes time for the teacher to really know how to teach well and the main way a person learns to teach is through education for a period of time. Thus, the first students of teachers such as young people experience. The teacher learns to teach in this task by trial and error. The teacher learns to teach over time, and make some mistakes at the beginning of his career. You do not want to be one of the first 30-50 students. Allow the teacher to take advantage of their expertise to the mistakes of another person.
What types of music did you know better? Make sure you ask this question before telling the prospective teacher what style of music you want to learn. Many teachers claim to teach all styles of music very well, watch this. Do not be alarmed by someone tells you he or she can teach every style of music as well. If you really want to be a great rock guitarist, and want to take lessons from a professor of rock, not blues or country, which aims to teach all styles well. Find yourself a good rock music teacher. If you want to learn different styles of music that is not the same (such as guitar, country, classical and heavy metal) take lessons learned from more than one teacher for each of these methods. Unless you are a beginner, you’re better off with an expert teacher in your style of music, not a teacher of Jack among the professions of all.
What is the cost of lessons? Excellent teachers in demand and usually already have a lot of students. These teachers often are not cheap. I can tell you that the rates of good teachers in the Midwest of the United States (where I live) is between 16 to 24 dollars per lesson 1/2 hour special (price may be different in the state or country). There are a few of the teachers providing guitar lessons by correspondence for students who do not live in the same state or country, and master. Generally, these lessons are less expensive in the long term (more about correspondence lesson programs later.) In general, do not look for a teacher with the lowest rates usually get what you pay. If you can not afford to pay higher prices for a good guitar teacher, and ask the teacher if you can take lessons in the months of bi-weekly instead of lessons.
Can you tell me how to teach the lessons? This is probably the most important question you can ask the teacher. Can answer this question helps to determine whether a teacher is competent, because this is really a trick question. Anyone can say they have been teaching for 100 years and have had 10,000 students, cost is $ 1,000 per semester, because it is the best teacher of all time, but the teacher inexperienced can not fool with the response of your current (unless it is or she is reading this article.) If the teacher the future you do not know, and know your music, the style of your guitar, and inclinations music, and objectives of the musical tries to explain how he or she will learn, then this is not a qualified teacher. Even the best teacher on Earth could be the answer to this question if the teacher does not know about you, your goals, your level of play, and his knowledge of music theory, etc. What a teacher for people with experience, competence and says that when the question? Well, I can tell you what I do when prospective new student asks me that. I explain to him or her that I can not plan a lesson for one so I’ve learned a lot about the theater student, and goals, musical tastes, and theoretical knowledge, and so on for the students of my correspondence (which I do not see face to face), I send a long list of questions about each thing you need to know about your own background music for me to know what is the best way for us to start. I also encourage students to send me a tape or CD to play them with a variety of game so I have a clear idea of ​​what areas need improvement. Obviously, especially for my students (of whom I see face to face), you can simply ask the questions that need answers for, and I can hear the student in front of me. Only after all this, I can (or any other teacher) really know how to teach each student. It seems clear that one should not have known the child for 13 years who has not played guitar before and wants to learn to play alternative rock the same way that you will consider the age of 27 years I have played that for 16 years and want to become a scientist in the style of Steve Vai or Malmsteen Yngwie .
In addition to the above questions, here are some other things in mind:

When you ask the students how to deal with a certain technique or how to do it the right to choose or how to more effectively mute strings that are supposed to be sounding, on the advice of some teachers is to do what feels natural to you. Sometimes it can be what you might think that it is the natural shape of your left hand should not be in the right way at all. From a teacher’s job to know such things, and teachers should know, and you should not do what you want. For most things, there is a way of right and wrong, and you are better off learning the right way from the start.
The fact that the teacher may have some talented students, does not mean that the teacher is good. This may seem a good criterion to evaluate the teacher, but the fact is that the graduate students in some cases they were already good players before taking lessons from this new teacher. The only time the rule on the skills of teachers in school, at play on your skills of his students, is in fact a reliable standard is when the graduate students started taking lessons from the teacher himself because they were beginners.
Some teachers told the students to try to learn from as many sources as possible, then leave you to sort through everything and decide what is best for you. How do I decide that? What do students know the best is the measure of a particular finger? Usually, students do not know how to determine what is the correct way. This is one of the reasons that they have teachers, and it’s your job to teach these things is why we give the teacher your money!
Do not assume that there is a good teacher just because he or she can be an excellent player and has good credentials. I know a lot of competent players with advanced degrees in music I do not think they are good teachers. I was lucky to get some really great teachers, but also some of the objects was incompetent along the way. Each time I realized that the teacher was not good, searched for new teachers.
Of the following is not necessary for someone to be a good teacher, but it is certainly to your advantage to have a teacher who, along with learning the guitar and music can help in some of these other methods:

Guitar education. This is learning to teach guitar. If one of your goals to be a landmark guitar / music then you will benefit greatly from teachers who can teach how to teach a variety of techniques, music theory, and the training of the ear, and writing the song, improvisation, and so on, you also need to know how to deal with a variety wide range of personality types. Each student is different, and each of these students can learn and understand the information in different ways. It is important for any teacher to understand this. You need to learn how to interpret the same information in several different ways for you to be more able to teach all students well.
Registration advice. The better you become as a musician, and most likely you want to record your guitar. If you have little or no experience in this area, then you have someone who can help is especially useful.
Music business. If you have registered, and the release and sell your CD, now or in the future, and there is an enormous amount of information from the music business that will have to find out if you want to earn money. May be some teachers who have launched their own CDs, and works to promote themselves, to be the best source of help for the sale of CDs. You can also learn things like how to determine the dates for the band and how to get the press to write about you.
Now so that you have a better idea of ​​what to look for in a teacher, and the next question is, where to look for a really good teacher? This depends on whether you are looking for a teacher to teach you privately (face to face), or if you are looking for a teacher to teach you through correspondence. Both good and there are advantages in both directions.

If you are looking for a teacher to teach face to face, check out these places first: Contact the music department at universities and colleges near you. Even if you can not help directly, they can usually refer to someone who can help. Then you can try local music stores that sell guitars). Most music shops offer lessons, and most of the teachers who are here are not of the highest quality, but sometimes there are some really good teachers that can be found in these stores. When you call one of these stores, and ask to speak to a manager or owner. Ask him that teachers are the most qualified to you (the style of your music and skill level). After obtaining the names of teachers, and arrange to hold talks with all of the teachers in the private sector. Ask the teachers to all the questions that are written above. If you are not satisfied with any of these teachers, and to continue the search.

If you are looking for guitar lessons online through correspondence, and research will be slightly different (and these lessons are usually a bit cheaper in the long run.) You can search the Internet for this type of teacher guitar and can also be a university connection (in any part of the world.) better than guitar lessons by correspondence is that you can take lessons from a teacher in the world (that teaches via correspondence)! What you’re looking for in a guitar teacher by correspondence is a person who has done this type of education for a period of time. Although the correspondence guitar lessons are not face to face, to be customized lessons for you, and the level of skill and musical knowledge, and his style of music and musical goals. Stay away from one size fits all method courses, method, cut a cake. Every person is different from the other, and on a different level, has different musical goals, likes different music, so the lessons (whether face to face or correspondence) should be tailored to your needs.

After teaching guitar / music for more than 19 years, and I can say that the use of the above information can really make a big difference in finding the quality of teachers with experience. Teacher can not seriously hamper the efficient ability to fully develop his guitar, and musical skills. If you are not progressing well, but you will spend a lot of time to exercise, find another teacher.

How to play Hotel California on Acoustic Guitar

Do you know how would some guitar players practice most of their time? By working hard and being passionate about their Guitar, Unfortunately they struggle too much to play the Guitar the way the want? They quickly get frustrated about theirselves playing it, And they start to question their will in playing this, Or even lose all the enthusiasm and passion they had when they realize they’ll need too much time to become better.

There are some reasons behind those amateur guitarists falling for such frustration and disappointment. Here are 11 most likely mistakes guitar players do and keep repeating not aware of what they’re doing.

1. Trying to become self taught. Some of these guitarists attempt to become self taught. Yes, it’s true that some well known players were ‘somehow’ self taught, but I do not recommend following that strategy even if your favorite player was self taught.  If you are totally sure that you can build powerfully effective learning and training systems on your own, that’s awesome. However, if you are like most guitarists, doing that only is the hardest, most time-consuming, stressful, and frustrating way to learn anything. This is a big mistake that you should stay away from.  Some guitar players think it will impress others if they say, “I am a self taught guitar player”. That statement might impress a few inexperienced people, but being self taught is not a ‘badge of honor’. Would you rather impress others with your guitar playing or with a description of how smart you could learn it your own? I’m not criticizing self taught guitar players, I’m only saying that there is no advantage to being self taught… and no, it is not true that being ‘self taught’ makes us more ‘original’. In fact, the opposite is usually the truth.
2. Choosing the wrong teachers. Sadly, some electric guitar teachers have ZERO training on how to teach guitar. What is worse is that the rest majority of teachers do little or nothing to improve their guitar teaching skills. Want some proof? Use google’s keyword tool . Type in this keyword phrase: ‘improve guitar teaching skills’, ‘guitar teaching skills’, or ‘guitar teaching training’ and you will find that less than 10 searches per month are done for these topics at google!  Of course there are some highly effective electric guitar teachers around, but there are a whole lot more bad teachers.
3. Seeking New Guitar Admonition (tricks, tips, tab) After A Accurate Action To Reach Your Specific Agreeable Goals. We charge information, advice, advice and music to play, but after a accurate cardinal acquirements and training action that is specific to you, your accomplishment level, your agreeable appearance and what you demand to be able to do as a guitar player, admonition won’t get you area you demand to go. It is bigger to aboriginal seek advice in developing a customized action for you to become a bigger guitar player. After that action is in place, again it is time to accord with acquirements the appropriate information.
   Not Knowing Specifically What You Demand To Be Able To Play. Most guitar players are not specific abundant aback they anticipate about (or acquaint others about) what they demand to be able to do with their guitar. To say, “I demand to comedy whatever I ambition to play” is too vague. How can you (or your guitar teacher) advance a specific and able guitar training action unless the goals you accept are specific? It’s like adage you demand to be a abundant athlete, how can you finer alternation with such a ambiguous goal? Sure there are things you can do to become faster, stronger, added adjustable or whatever, but it’s abundant easier if you aboriginal get specific such as, I demand to alternation to be a gymnast, or a continued ambit runner, or a anatomy builder. Yes you can still advance after a strategy, but it will booty a lot best and be abundant added frustrating. You can consistently change your ambition after if you ascertain you demand to do article abroad instead.
   Not Abundant Focus On Things That Matter Most To Authoritative You A Bigger Guitar Player. Accept you collapsed into the allurement of practicing guitar after absorption on the specific things that can bound activate to advance your guitar playing? Many bodies absolutely do not accept and administer this abstraction in abundant detail…. for example, I accept a apprentice called Mark who acclimated to booty acquaint from addition abecedary in the past. Mark was belief ambit acrimonious arpeggios with his antecedent teacher, and was authoritative some progress. However Mark did not accept what ‘specific’ things he bare to focus on aboriginal afore attempting to adept the ambit acrimonious arpeggios he was practicing. This was captivation him aback and authoritative him feel actual frustrated. Mark’s antecedent abecedary alone knew how to ‘teach’ arpeggios and accepted ambit acrimonious concepts. He did not absolutely apperceive how to “train” Mark with the specific things to focus on and how to affected the challenges Mark was having.

   Too Abundant Focus On Things That Are Not Core To Your Goals. In accession to not absorption on specific things, abounding guitar players focus on the ‘wrong things’. Some agog guitar players become briefly bedeviled with things which are distractions from added things that could be allowance their guitar arena abundant more. Actuality is an example: I acclimated to get so balked and affronted aback I could not comedy article perfectly, I’d lock myself in my guitar convenance allowance and say, “I’m not advancing out of this allowance until I adept this abuse lick if it takes me the abutting 19 hours! No breaks! No food! No animal contact! I’m gonna attach this!” And I did adept it. On the surface, it adeptness accept like I was on the appropriate clue and practicing in a acceptable way…. But in reality, I was spending my time alone to stop actuality affronted and frustrated. I was not advance my guitar convenance time wisely by absorption on the things that mattered best to authoritative a bigger guitar player. In added words, my backbone was commendable, but my action to adept important abiding goals was weak. I accustomed myself to be distracted. I don’t accomplish this aforementioned aberration anymore, and I appetite you to additionally abstain it! Focus on the things that absolutely amount for your guitar arena appropriate now. If you are not abiding how to do this, seek out a accurate guitar abecedary today.
   Focusing On The Appropriate Things, But in The Wrong Order. This is a accepted aberration that alike abounding avant-garde guitar players accomplish which causes a lot of ashen time and frustration. Imagine you demand to advance your adeptness to actualize your own air-conditioned guitar solos. Let’s accept that you are avant-garde abundant to absolutely accept all the primary and accessory elements of basic guitar solos (or you accept a guitar abecedary to admonition you). Each of the abounding elements charge to be abstruse and/or accomplished in adjustment to calmly actualize alarming solos that you like. Where should you begin? What should you focus on first, second, third? Which of these things should you convenance simultaneously? There is consistently a specific adjustment in which agreeable abilities should be abstruse and baffled in adjustment to EXPLODE your agreeable skills. Unfortunately, that adjustment is absolutely altered for every person, appearance of music, agreeable goal, accomplishment set and knowledge, so giving an archetype actuality would be pointless. My advice, acquisition the best abecedary you can and abstraction with him/her in adjustment to be able to do what you demand to do with your guitar abundant faster and easier.
   Not Isolating Problem Areas. Few guitar players are acquainted of the baby things that authority them aback in big ways. Because these little imperfections accept bush to us, we generally abstain them. The accuracy is, baby hinges accessible big doors. In the video mentioned aloft I explained how acceptance your guitar aces to lose its drive aback you are ‘not picking’ a agenda on the guitar makes your arena apathetic and sloppy…. which will accomplish you feel actual frustrated. This is why I was abiding to accomplish a appropriate point to admonition you abstain that mistake.

   Learning And Practicing Guitar In A Footfall By Footfall Beeline Process.  Does afterward a beeline footfall by footfall access to learning, practicing and arrive guitar assume like accepted faculty acceptable to you? Yes it does… And that is why guitar players who chase such a aisle are NOT abundant guitar players. I’m activity to let you in an insider’s secret… The accuracy is, afterward a beeline access to acquirements guitar, practicing guitar, and arrive guitar is the NUMBER ONE REASON WHY “GOOD GUITAR PLAYERS” STRUGGLE TO BECOME “GREAT GUITAR PLAYERS”

   Practicing Guitar In The Aforementioned Way Your Admired Guitar Players Convenance Guitar. Accept you anytime apprehend about how your admired guitar players convenance guitar and afresh approved to echo the aforementioned convenance routine? Yes, I’ve fabricated this aberration too! It seems accustomed to use a agnate guitar convenance agenda that our admired guitar players are using. This is a mistake, because your accepted guitar accomplishment akin and ability of music is apparently actual altered from your admired player. His/her challenges and needs are acceptable not the aforementioned as yours.
   Professional guitar players convenance for altered affidavit than best abecedarian players do. For example, afore recording a new anthology I will convenance actual abnormally compared to the aeon afore activity on tour. Once I’m absolutely on bout my convenance accepted changes acutely again. The blow of the year my practicing agenda changes yet again. This happens because in anniversary case my challenges and goals are absolutely different. When my guitar acceptance ask me, “Tom, how do you convenance guitar?” I’m accurate not to let my acceptance accept that they should convenance the aforementioned way that I do. Your convenance agenda and action needs to be congenital about YOU and you only! If you charge admonition architecture your own convenance schedule, email me directly.

   Learning From Too Abounding Altered Sources Of Information. There will consistently be abounding acquirements opportunities and assorted paths to take, but it is analytical that you do not get absent into afterward a allotment of admonition from one person, afresh addition allotment of admonition from addition being and afresh chase added assets from about abroad and so on and so on… while altered bodies may accept some acceptable account to offer, the actuality is, aberration is a big acumen why abounding guitar players who are actively learning, don’t absolutely move advanced quickly… these bodies are consistently active afterward absolutely altered resources, teachers, philosophies, advisory videos, chargeless online guitar lessons, but all of this leads them to booty one footfall forward, afresh 2 accomplish to the right, afresh one footfall forward, afresh 3 accomplish to the left, afresh one footfall backward, afresh two to the right, afresh 1 footfall advanced and afresh addition footfall to the left…

Most guitarists have never actually played a really “good” guitar. That is because most amateur guitarists do not spend 5, 6, or 7 thousand pounds on a guitar.

The great majority of young guitarists buy guitars in the sub -1000 pounds range. To some a 2500 pounds guitar is considered to be a very “expensive guitar” and is expected to be a perfect guitar for that price. That expectancy can sometimes turn into a major disappointment.

When a guitarist finally gets to play a really “good” guitar, it usually comes as a surprise to them how very different playing a “good” guitar is over what they have become accustomed to. It can even be disorientating. Why?

Most guitars bought from a store doesn’t have a high standard of playability even with a generic store setup.

Many guitarists go through the years playing these store bought guitars never knowing that there is better, and how better there is. Instead, playing the guitar hard, with brute force and attack becomes “the way you play a guitar.” This false premise leads to developing “bad habits” to overcome the guitar’s un-playability. And the person has no first-hand knowledge that it could be any other way. This is the situation a majority of guitarists are in.

Here is a good analogy: If a person has ridden a Shetland pony all their life and never a stallion, not only do they not know what it is like to ride a stallion, but they cannot even envision what it is like to ride a stallion or know what it is capable of, until they actually get on a stallion and ride one. When they do ride one they always find out that they have to learn or “unlearn” certain skills in order to ride it well. Often this can be a puzzling or confusing experience at first and maybe they will criticize the stallion or themselves for a while.

Professional guitarists, especially lead guitarists (“shredders”), for example, do not give their guitars hell and play their guitars hard – they might make it look like it (showmanship) but actually they are playing gracefully, accurately and making it look effortless BECAUSE THE FINGERBOARD, FRETS, ACTION AND SET UP ON THEIR GUITAR IS PERFECT. There is no need for them to fight with or beat up the guitar in order rip up the fretboard.

Accuracy and speed comes easiest when you don’t have to battle with the guitar to do that.

The colour of the guitar, how pretty the grain of the wood is, scratches, dents, or marks on the guitar are all irrelevant when it comes to the playability of a guitar. You buy a guitar to play it, don’t you? Not to hang on your wall and look at, right?

The difference between a “good” guitar and a “bad” guitar (assuming it has been built well) is ALL IN THE SET UP.

A racing car driver, no matter how good a driver he is can’t win a race in a car with a blown up engine.

To the majority of guitarists this will be a whole new experience, and will require some change of habits and the refinement of skills, such as playing lighter, in order to get used to a guitar with perfect playability. This is how ALL the professionals do it. This is why a guitarist impresses you by making something difficult look “easy.”

Having a “good” guitar is essential to being a “good” guitarist.

A “bad” guitar is an effort to play. It is “hard work”, energy-consuming, and limits the ability of the guitarist. Any guitarist will never play as good on a “bad” guitar. Playing a good guitar is essential to becoming an incredible guitarist.

Statistics show that 90% of kids learning to play guitar give up. Why? Perhaps this information will help answer that.